Hiya, Alex here. Imma just write down some notes for amusement, performance, or in case I have to teach someone else.

BACH (1685–1750) (arr. FRIEDMAN (1882–1948))

巴赫（佛利民改編）

Morgenlied (arr. from Zion hört die Wächter singen, in Wachet auf, ruft uns die Stimme, BWV 645)

晨歌（改編自《錫安聽見守望者歌唱》，來自 《醒來，那聲音召喚我們》，BWV 645）

As Ferruccio Busoni, the master Bach transcriber once said, "the transcriber took possession of the work they worked in". This piece should be played thoroughly in the Romantic style.

FINZI (1901–1956)

芬茨

Let Us Garlands Bring

讓我們獻上花環

II. Who is Silvia?

席薇婭是誰？

IV. O Mistress Mine

噢，我的可人兒

Five Bagatelles

五小品

IV. Forlana

弗留利舞曲

Finzi said he explicitly borrowed the Forlana dance form from Ravel's Le tombeau de Couperin. This fast traditional dance is from Fruili in north-eastern Italy, with the most famous city being Udine. Finzi is of Italian (Jewish) descent, yet he wrote the piece in the quintessential English pastoral tradition.

REBECCA CLARKE (1886–1979)

莉貝嘉克拉克

I'll Bid My Heart be Still

我會使我心安靜

ARNOLD (1921–2006)

亞諾

MARK-ANTHONY TURNAGE (1960–)

馬克安東尼杜拿殊

Tune for Tōru

致阿徹的旋律